When he wrote asking if there was any beer in particular I was interested in, I could have asked him for another sample from Guineu, their Montserrat was lovely and I have good reason to believe it isn't an exception among their product line. I could have also asked him to bring over a bottle from Ales Agullons, so I could see what their beer is like when it's in good shape. However, and against my better judgement, I decided for something from the brewery everyone in Barcelona seemed to be talking about at the time, Zulogaarden. Ramón obliged and during a long, animated and liquid lunch he gave me two samples from this new micro, Norai and Sang de Gossa.
When I saw Norai's presentation I started to have serious doubts about my choice. The label seems hand drawn, cut with scissors by someone who was either laughing really hard or riding a horse and then stuck on an engraved bottle of Alahambra Reserva 1925. To be fair, Ramón mentioned something about that bottle not being for sale when he still insisted on buying it. Anyway, it was the one I decided to open first.
With my doubts already gone, a few days later, I opened the bottle of Sang de Gossa, which was in fact the beer everyone was talking about when I wrote with Ramón. Of course, it was also the one I was most curious about.
The brewery has recently announced a new batch of Sang de Gossa with a tuned up recipe. I hope the changes aren't too radical and that the brewer has not fallen into the temptation of making a hop bomb, it would be a shame. Anyway, congratulations Zulogaarden for these two fantastic beers. Wish you nothing but success with them.
Na Zdraví!
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I quite like the hand drawn label -- that style of faux-naieve branding is quite popular these days!
ReplyDeleteThe label itself, though not my cup of tea, is quite alright, but when you put it together with the dodgy cutting and pasting on an engraved bottle the result doesn't look all that good...
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